And whenever they said “No,” we asked them if they could pull it out. So you essentially could take this very high-quality 6K camera that is certified by IMAX, you could break it into two pieces with a fiber-optic cable that connects the two halves, and you end up with a very small lens and sensor that can fit in very small spaces.Ĭlaudia sat with the Navy engineers and went through the F-18 cockpit and pointed at every piece of equipment that was mounted in there and asked them if they needed it to fly.

Let’s talk about filming the actors in the F/A-18s.ĭirector of photography Claudio Miranda and I had been testing a prototype of the Venice camera that Sony makes, and he told me that they were working on a prototype version of the Venice called the Rialto, which allowed you to split the lens from the recorder on the body. … He’s just got this energy that is infectious.”īelow are excerpts from the conversation, edited for length and clarity, followed by a link to the podcast. He’s involved with every aspect of the filmmaking, and that collaboration is what he really feeds off of and enjoys. Obviously, he’s a producer on this, but it’s really a partnership. Of working with Cruise (they previously teamed on 2013’s Obilivion), the director notes, “He’s not just an actor in your film. “That was a 15-month development process to figure out how to take a prototype system and integrate it into an $80 million military aircraft and make it capable of withstanding 7 g’s of force and 35,000 feet of altitude, and it had to be clear for an ejection and safe for the pilots,” Kosinski relates. In the new episode of Behind the Screen, Kosinski also details filming the flying scenes, and how they prepared prototypes of Sony’s Venice extension system, Rialto, to film the actors in the F/A-18s during flight. “Val and Tom performed the scene, and then we enhanced Val’s voice by blending it with another one, mostly for clarity, more than anything else,” said Kosinski of the moment in which Iceman addresses Maverick. Kilmer has been open about battling throat cancer, revealing in his acclaimed 2021 documentary, Val, that his voice was never the same after a tracheostomy in 2014.

“They are just two actors at the top of their game doing this really beautiful scene for the film that’s so important. “To see how much respect they had for each other as actors, and to see a friendship that has evolved over 36 years - it really mirrored what you see onscreen in the scene,” Kosinski said on this week’s episode of THR’s Behind the Screen podcast. VFX Pros Expose The Hidden Costs of Selling a Movie as 'Real'

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